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I'm an experienced jazz guitarist - not a collector - and over the next year or so I will be selling some of the very carefully chosen guitars that I have collected over the years. I've played more or less the full range of archtops that are available, from one-man-shop boutique instruments made in America (Andersen, Comins, Buscarino, Campellone, Sadowsky) to Ibanez (GB10) and Eastman archtops, and a whole bunch of Gibson and Heritage instruments in between these extremes. The advantage of buying from me is that I have actually used the instruments to do what they are meant to do and know their idiosyncrasies - their features and their failings - very well. I'm a huge fan of Eastman and Heritage guitars and of older Gibsons. First Heritage lured me away from Gibson (as the saying goes - 'if you want a really great Gibson, get a Heritage...'), and then Eastman convinced me that their versions of Benedetto's ground-breaking range of guitars are built to the highest standards. The Benedetto influence ensures that Eastman guitars are genuinely contemporary designs - and the Eastman manufacturing methods ensure that they are built to old-fashioned pre-mass production standards. When you ask me about a guitar you like the look of, you will get an honest and informed response from someone who has spent thirty years buying, selling and playing archtops (in small mainstream jazz groups). Thanks for your interest!

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