Yamaha MGX16V W 22-Channel Digital Mixing Console with HDMI-USB 4K Video Capture, Pair of DBR10 10-Inch 700W Powered Speakers, and HPH-MT5W White Studio Monitor Headphones

Yamaha MGX16V W Bundle: A Fully Matched White Console, PA, and Monitoring System for On-Camera Studios

This bundle is built for the creator who wants one color-coordinated white system that mixes audio, captures 4K video, fills the room, and monitors every take. At its center is the Yamaha MGX16V W — a 22-channel digital mixing console with a built-in HDMI-USB video interface — paired with two DBR10 10-inch 700W powered speakers and the white HPH-MT5W closed-back studio monitor headphones. Where the standalone console handles the audio and video, the DBR10 pair carries the sound to the room and the HPH-MT5W gives you an honest reference for what the microphones actually captured. Everything matches, everything connects, and everything ships in one purchase.

HDMI-USB 4K Video Capture Replaces the Capture Card on Your Stream

The MGX16V W captures and passes through HDMI camera video at up to 4K/60fps alongside the full audio mix over a single USB-C cable. Plug a camera into the HDMI input, connect the console to a computer, and your streaming or conferencing software sees a clean synced audio-and-video feed with no separate capture card and no sync drift between picture and sound. For an on-camera podcast, a worship broadcast, or a hybrid corporate event, it collapses a rack of gear into one console and one cable.

32-bit/96 kHz USB, Dual USB-C, and 16-Track microSD Recording

USB MAIN streams 22 channels in and 22 out at 32-bit/96 kHz into your DAW for multitrack recording and live mixing, while a second USB-C SUB port feeds a separate 2-track mix to a dedicated streaming device — so one machine records the full session while another drives the live stream. A 16-track microSD recorder captures a standalone backup with no computer attached, so a software crash or a dropped connection never costs you the take.

8 MGX Preamps, Per-Channel Processing, and REV-X Effects

Eight MGX combo XLR/TRS preamps deliver the clean, high-headroom Yamaha True Sound the console is known for, with wide clean gain for transparent capture of vocals, instruments, and line sources. Every channel carries a 4-band parametric EQ, high-pass filter, noise gate, and 1-knob compressor, and the console adds onboard REV-X reverb, a multi-band compressor, a Ducker, and Pitch Fix — all running under 0.4 ms latency. Four headphone outputs and Bluetooth 5.0 round out a console that can run a four-person podcast on its own.

Two DBR10 700W Powered Speakers Fill the Room From a 23.2 lb Cabinet

Each DBR10 pairs a 10-inch woofer and a 1-inch compression driver with a 700W Class-D amplifier for up to 129 dB max SPL, and the FIR-X tuning crossover keeps the two drivers phase-accurate for clean, intelligible output. D-CONTOUR onboard DSP retunes each speaker with one switch — a front-of-house preset for the audience throw or a monitor preset for floor-wedge use — and the whole cabinet weighs just 23.2 lb, so a single person can carry the pair. The console's stereo XLR outputs feed both speakers directly with no adapters.

HPH-MT5W White Studio Monitor Headphones Give You an Honest Reference

The HPH-MT5W is the white-finish version of Yamaha's HPH-MT5 closed-back studio monitor headphone, tuned to the same flat, fatigue-revealing reference philosophy as Yamaha's NS-10 and HS-series monitors. Its 40mm dynamic drivers with copper-clad aluminum voice coils reproduce a flat 20 Hz-20 kHz response that exposes problems in a mix rather than flattering it, the closed-back circumaural design keeps headphone bleed out of open microphones during tracking, and the detachable cable means a worn cable gets swapped instead of retiring the cans. The white finish matches the console for a coordinated on-camera look.

One Color-Matched White System for Streamers, Studios, and Installed Sound

This is the bundle for the first-timer building an on-camera studio who wants the audio, the video capture, the speakers, and the monitoring to arrive together and match; for the upgrader moving off a USB interface and a separate capture card who wants one console to replace the stack; and for the installed-sound facility or content studio that specifies white gear for a clean, coordinated look on camera. Mix it, capture it, fill the room, and hear it — one matched white Yamaha system, ready to run.