Yamaha MGX16V W 22-Channel Digital Mixing Console with HDMI-USB 4K Video Capture, Pair of DBR10 700W Powered Speakers, and HPH-MT5 Closed-Back Studio Monitor Headphones

Yamaha MGX16V W Bundle: The Complete White On-Camera Production and Monitoring Rig

This bundle is built for the creator who runs the room and the camera at the same time and needs to hear every decision while they do it. The Yamaha MGX16V W is the hero: a 22-channel digital mixing console in a white finish with a built-in HDMI-USB interface that captures 4K video alongside the full audio mix. Two DBR10 700W powered speakers carry that mix to the room, and a pair of HPH-MT5 closed-back monitor headphones lets you reference what the audience never hears — the gate that needs tightening, the reverb tail that runs long, the channel that drifted hot. Console, speakers, and headphones arrive as one coordinated system instead of three separate purchases that may or may not work together.

HDMI-USB 4K Capture Turns One USB Cable Into Your Entire Stream

The MGX16V W's headline feature is the HDMI-USB video interface. Plug a camera into the HDMI input and the console captures and passes through video up to 4K/60fps with the complete audio mix over a single USB-C connection — no separate capture card, no extra box, no second cable to sync. The HDMI Thru output feeds a confidence monitor or projector at the same time. For an on-camera podcast, a worship livestream, or a hybrid corporate event, the entire audio-and-video signal chain collapses into the console and one USB run to the computer.

Dual USB-C and 16-Track microSD Recording Mean You Never Lose a Take

Two USB-C ports run in parallel. USB MAIN streams 22 inputs and 22 outputs at 32-bit/96 kHz into a DAW for multitrack recording or live mixing, while USB SUB sends a 2-track mix to a phone or a second computer dedicated to streaming. Underneath, a 16-track microSD recorder captures a standalone backup directly to card with no computer involved. If the laptop crashes mid-show, the card kept rolling. That redundancy is why broadcast and worship teams trust this console for one-shot live events.

8 MGX Preamps, Per-Channel Processing, and REV-X FX Keep Every Source Clean

Eight MGX combo XLR/TRS preamps deliver Yamaha True Sound with a wide, clean gain range and high dynamic range. Every channel carries a 4-band parametric EQ, high-pass filter, noise gate, and a 1-knob compressor, so a vocal, an instrument, and a playback source each get dialed in independently. Onboard REV-X reverb, a multi-band compressor, a Ducker, and Pitch Fix run under 0.4 ms latency for processing you can use live without audible delay. Four headphone outputs and Bluetooth 5.0 round it out for four-person podcast monitoring and wireless music playback.

Two DBR10 Powered Speakers Fill the Room and Double as Stage Wedges

The pair of DBR10 speakers is the system's voice. Each pairs a 10-inch woofer and a 1-inch compression driver with a 700W Class-D bi-amp powerplant — 129 dB max SPL out of a 23.2 lb cabinet light enough to carry in one hand. A FIR-X tuning crossover at 2.1 kHz keeps the two drivers phase-aligned, and D-CONTOUR onboard DSP retunes each cabinet for front-of-house throw or floor-wedge monitoring with one switch. Each speaker also has a 2-channel onboard mixer, so a DBR10 can run a small source on its own when the full console isn't needed.

HPH-MT5 Closed-Back Headphones Give You an Honest Monitoring Reference

The included HPH-MT5 headphones are the monitoring tool that separates this bundle from a speakers-only rig. Custom 40mm dynamic drivers with CCAW voice coils deliver a flat, high-resolution response across the full 20 Hz to 20 kHz range — built for honest reference, not hyped consumer bass. The closed-back circumaural design isolates the engineer from room bleed during tracking, the earcups rotate flat for single-ear cueing, and the arms fold for transport. At 51 ohms they drive cleanly straight from any of the console's four headphone outputs.

For the Streaming Creator, the Worship Team, and the Hybrid-Event Operator

The first-timer building an on-camera studio gets video capture, room sound, and a monitoring reference in one box with nothing left to source. The upgrader moving off a USB interface and a capture card gets both jobs handled by the console plus speakers that actually fill the room. The worship or AV team running weekly hybrid services gets the redundancy of microSD backup, the reach of two 700W speakers, and the white finish that disappears on camera. One Yamaha system, wired and ready, for everyone who has to mix it, capture it, and hear it at the same time.