This is the complete front-of-house rig for the operator who runs live sound and a live stream at the same time. The Yamaha MGX12V B 18-channel digital mixing console anchors the system with four new-generation MGX mic preamps, a 4.3-inch color touchscreen, and an HDMI input that captures 4K/60fps video right alongside the audio mix. Pair it with two DBR15 15-inch 1,000W powered loudspeakers for 132 dB SPL of full-range output, add the HPH-MT5 closed-back studio monitor headphones for silent monitoring, and you have one purchase that covers the room, the broadcast, and the recording. It is built for worship tech teams, hybrid-event producers, mobile sound companies, and bands who want a single box that mixes audio and video together.
Why the MGX12V B Is the Only Console in This Class That Mixes Audio and Video TogetherThe MGX12V B sets itself apart from analog console bundles with a built-in HDMI-USB audio/video interface. It captures and passes through 4K/60fps and 1080p/240fps video from cameras and game consoles, then routes it through the same console handling your microphones, so the audio you mix is always locked to the video you stream. A Ducker and a Pitch Fix voice changer sit in the onboard DSP for clean lip-sync and program control. For a hybrid worship service, a streamed concert, or a corporate webcast, this means the picture and the sound leave the venue from one device instead of a stack of converters.
18-Track 32-Bit Recording and Dual USB-C Capture Without a Separate InterfaceTwo USB-C ports turn the MGX12V B into a full multitrack recorder. The MAIN port handles 18-track 32-bit recording and playback into a DAW, while the SUB port carries an independent 2-track stream for the broadcast feed or a backup mix at the same time. A microSD slot records up to 16 tracks standalone with no computer attached, so a soundcheck or a full set can be captured the moment it happens. The included Steinberg suite (Cubase AI, WaveLab Cast LE, Basic FX Suite, Steinberg Plus, and MixKey) means the recording and editing software is in the box with the console.
Four MGX Preamps, a Touchscreen, and DSP That Make a Digital Console Feel SimpleFour MGX mic/line preamps deliver an 86 dB gain range with Yamaha True Sound capture, and Smart Gain auto-sets input levels while Clip Safe stops sudden distortion before it reaches the mains. Every channel runs a Gate, Compressor, 3-band EQ, REV-X reverb, and the Sweet Spot Morphing channel strip from the 4.3-inch touchscreen and twelve 60 mm faders. Bluetooth 5.0 streams walk-in music straight into the mix, and eight customizable Sound Pads trigger effects, stingers, or scene recall. Simple Mode strips the interface down for a first-time operator; Standard Mode unlocks the full feature set for an engineer who wants every parameter.
The DBR15 Pair: 15-Inch 1,000W Mains That Fill a Large Room Without a SubwooferEach DBR15 is a 1,000W Class-D bi-amp powered loudspeaker built around a custom 15-inch woofer with a 2.5-inch voice coil and a 1.4-inch compression driver, hitting a 132 dB SPL peak with usable low end down to 50 Hz. FIR-X tuning at 2.1 kHz keeps the transient response coherent, and D-CONTOUR onboard DSP offers FOH/MAIN and MONITOR presets so each cabinet can serve as a front-of-house main or a floor wedge via its 50-degree wedge angle. At 42.6 lb with dual side handles and a 35 mm pole socket, the pair loads in fast and pole-mounts straight off the console's main outputs.
HPH-MT5 Headphones: Silent Line-Checks While the Mains Stay QuietThe HPH-MT5 closed-back, circumaural studio monitor headphones give the operator an honest reference that the DBR15 mains can't provide when the house is silent or the stream is live. Custom 40 mm dynamic drivers with CCAW voice coils deliver flat 20 Hz-20 kHz response tuned to Yamaha's HS-series monitor philosophy, so a soundcheck mixed on the headphones translates to the room. Closed-back isolation keeps the headphone mix clean, the earcups rotate flat for single-ear cueing, and a screw-on 1/4-inch adaptor plugs straight into one of the console's four headphone outputs.
How the Console, Mains, and Headphones Work Together as One Hybrid RigThe signal path is intentional end to end. Microphones and program sources hit the MGX12V B's preamps and DSP; the stereo mix feeds the two DBR15 mains over balanced XLR for the room while the SUB USB-C and HDMI feeds carry the broadcast; and the engineer monitors the entire program on the HPH-MT5 through the console's headphone output. Soundcheck on headphones before doors, capture the multitrack to USB-C or microSD during the show, and pass clean 4K video to the stream the whole time. Every connection the system needs is covered by the console's I/O.
For the Worship Tech, the Hybrid-Event Producer, and the Band That Streams Every ShowThe first-timer gets Simple Mode, Smart Gain, and a touchscreen that makes a digital console approachable on day one. The upgrader moving off an analog mixer gains HDMI video capture, 18-track recording, and onboard DSP that used to require a rack of outboard gear. The operator comparing rigs gets hard numbers: 86 dB of preamp gain, 132 dB SPL from a 42.6 lb pair of 15-inch mains, 32-bit dual-USB-C recording, and a flat-response monitoring headphone, all from one Yamaha system. Order the complete hybrid streaming PA and run the room, the recording, and the broadcast from a single console.
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