Yamaha MGX12V B 18-Channel Digital Mixing Console Live Sound Bundle with 2x DBR10 10-Inch 700W Powered Speakers and HPH-MT5 Studio Monitor Headphones

Yamaha MGX12V B Live Sound Bundle: Console, Speakers, and Monitoring in One Purchase

This bundle is the complete front-of-house rig for the small venue, the worship team, the mobile event company, or the band running its own sound. The Yamaha MGX12V B is the hero — an 18-channel digital mixing console with four MGX mic preamps, an 86 dB gain range, a 4.3-inch touchscreen, and twelve 60mm faders, plus dual USB-C 32-bit recording and HDMI 4K video capture for hybrid audio-and-video productions. Two DBR10 powered speakers deliver the sound: 700W Class-D cabinets that throw 129 dB max SPL from a 23.2 lb enclosure light enough to carry in one hand. The HPH-MT5 closed-back headphones give you a flat reference for cueing inputs and checking the mix before it hits the room. One order covers the console, the mains, and the monitoring — everything between the microphone and the audience.

The MGX12V B Puts a Full Digital Console Behind a 4.3-Inch Touchscreen

The MGX12V B is built around four new-generation MGX mic preamps that capture vocals and instruments with an 86 dB gain range and less than 0.002% THD. The 4.3-inch color touchscreen pairs with twelve tactile 60mm faders, four screen knobs, and a TOUCH AND TURN dial, so you steer the digital mixer like an analog board instead of menu-diving. Smart Gain auto-sets input levels, Clip Safe prevents sudden distortion, and Scene Recall switches a full show setup in one tap. First-time operators run Simple Mode to strip the interface to the essentials; experienced engineers flip to Standard Mode for the full 18-channel routing across 8 MIX, 2 FX, 1 CUE, and 1 STEREO bus.

Onboard Recording, Streaming, and Effects Without a Rack of Outboard Gear

The console's dual USB-C ports turn it into an audio interface: the MAIN port handles 18-track 32-bit recording and playback while the SUB port runs an independent 2-track stream, so you can multitrack a band to a computer and feed a stereo stream at the same time. The HDMI input captures and passes through 4K/60fps and 1080p/240fps video from cameras and consoles, mixing audio and video in one box for hybrid live streams. A microSD slot records up to 16 tracks standalone with no computer attached, and the onboard DSP suite — REV-X Reverb, the Sweet Spot Morphing Channel Strip, Multi-Band Compressor, Pitch Fix, and a Ducker — covers the processing most rigs need an outboard rack to deliver. Bluetooth 5.0 streams backing tracks and walk-in music straight into the mix, and the included Cubase AI and WaveLab Cast LE licenses let you finish the recording after the show.

Two DBR10 Powered Speakers Carry the Room and Double as Monitors

Each DBR10 is a 2-way bi-amp powered loudspeaker with a 700W Class-D amplifier driving a 10-inch woofer and a 1-inch compression driver, crossed over at 2.1 kHz by a linear-phase FIR-X filter for accurate driver integration. The pair throws 129 dB max SPL — enough to fill clubs, bars, coffeehouses, schools, and worship spaces — yet each cabinet weighs only 23.2 lb with a top carry handle, the lightest model in the DBR line. D-CONTOUR onboard DSP retunes each speaker with one switch: a FOH/MAIN preset for front-of-house throw or a MONITOR preset that, combined with the cabinet's 50-degree bevel, turns the DBR10 into a stage-floor wedge. A 2-channel onboard mixer (combo XLR/TRS plus a second combo with dual RCA) and an XLR Thru/Mix output let you daisy-chain a second cabinet or add a subwoofer. Stand-mount them on the 35mm pole sockets or fly them from the M8 eyebolt points.

The HPH-MT5 Headphones Let You Hear the Mix Before the Room Does

The HPH-MT5 is a closed-back, circumaural monitor headphone built around custom 40mm dynamic drivers with CCAW voice coils and neodymium magnets, tuned flat across 20 Hz to 20 kHz in the same accurate, fatigue-free philosophy as Yamaha's NS-10 and HS-series monitors. Closed-back isolation keeps the room out of your ears when you cue an input or solo a channel on the console's headphone output, and the earcups rotate flat for single-ear DJ-style cueing. At 8.6 oz with smooth synthetic-leather earpads and a three-dimensional arm pivot, they stay comfortable through a long set, and the detachable 9.8-foot straight cable ships with a screw-on 1/4-inch gold-plated adaptor that plugs straight into the MGX12V B's TRS headphone outputs.

How the Console, Speakers, and Headphones Work as One Rig

The signal chain is complete end to end. Microphones and line sources feed the MGX12V B's four MGX preamps and combo inputs; the stereo mix leaves the console's XLR main outputs and drives the two DBR10 cabinets, which you stand-mount as front-of-house mains or lay back as floor monitors via D-CONTOUR. The HPH-MT5 plugs into the console's headphone output with the included 1/4-inch adaptor so you can pre-listen and cue without bleeding into the mics. Add the USB-C and HDMI capture for recording and streaming, and one purchase delivers a working PA, a recording interface, and a monitoring path — with nothing left to source.

For the Small Venue, the Worship Team, the Band, and the Mobile Event Operator

First-timers get a console that runs in Simple Mode, two speakers that need only a pole and a power cable, and a headphone with the adaptor already in the box — a full PA that sets up in minutes. Upgraders moving off an analog board gain onboard recording, scene recall, HDMI video capture, and a Steinberg software suite without adding a single rack unit. Comparison shoppers get the hard numbers: 86 dB of preamp gain, 18-track 32-bit USB recording, 129 dB max SPL per cabinet, and 23.2 lb of weight per speaker. Plug in the console, raise the speakers, put on the headphones, and run the show.