Lovely tape saturation pedal capable of providing an array of delay based effects (chorus, flanger, slapback). Can also create a super wide stereo image with the double tracker side of the pedal, which was one of the main ways I used it on some mono-output synths. Comes from a smoke-free home studio in the original box with all inserts and PSU - I've knocked it down to Very Good just because the outer casing is mildly scuffed, which seems to be down to the finish Strymon used on this pedal. This should be visible on the photos. Also available for collection in London SE15 if you're local. Please see my other listings for more guitar pedals + Eurorack, synths etc.

Per the manufacturer's description:

"Two effects in one:

Tape Saturation

Give your sound the smooth and warm qualities of analog tape, along with the enhanced touch sensitivity and playing dynamics that are intrinsic to the inner workings of tape machines. Achieve incredible transparency at low levels, with reduced high frequency spikes and a harmonically rich low end. Turn up the Saturation to increase the amount of tape drive, dynamic compression and distortion.

Deco is perfectly suited for a last-in-chain, “always on” sweetening effect. Everything sounds better on tape. Want to push the limits of tape beyond what was originally possible? Use Deco as a tape-style transparent overdrive—crank the Saturation all the way up to “peg the meters” and gently overload the machine’s input.

Doubletracker

Go back to the early days of recording studios, where a few creative audio engineers discovered a new world of augmented sound by pushing the limits of studio tape machines. By inventing automatic doubletracking, they introduced echo, flanging, and chorus to the world of recorded music.

Intensify and widen your sound with Deco’s Doubletracker controls. Turn the Lag Time to obtain classic slapback tape echo, spacious doubletrack chorusing, and mind-bending tape flanging. Add random modulation with the Wobble control and go from very subtle movement to more extreme undulations—just like having a recording engineer vary the speed of the machine."