Interviews

Interview: Neyla Pekarek, Cellist of The Lumineers, Steps Out on Her Own with “Rattlesnake”

At Your Service, the String Butler: A Headstock-Mounted String Stabilizer

George Fullerton, Leo Fender's Longtime Partner, on Their Legacy of Guitar Building | Bacon's Archive

Interview: Mindi Abair on Finding Her Rock 'n' Roll Sound with Aerosmith, Springsteen, and the Boneshakers

Reverb Soundcheck: Circa Survive's Colin Frangicetto and Brendan Ekstrom Show Us Their Live Rigs

Dr. Z Weighs in on Modeling Tech and the Future of Amp Design

Julien Baker on the Recording of "Turn Out the Lights"

Code Orange's Reba Meyers on the Hardcore Band's Work Ethic, Aggression, and Grammy Nod

Shop Spotlight: Ruach Music in Northern Ireland

Why Vinyl Matters: Nick Hornby on Records, High Fidelity, and His Personal Top 5

Line 6's Feedback Loop: How the Guitar Tech Firm Embraces Social Media

Interview: Lydia Loveless' Evolving Alt-Country Sound

Interview: The Sydney Duo Behind Exhibitionist's Immaculate Pop and Party Dozen's Noisy Jams

Interview: Paul McCartney on His Life as a Bassist | Bacon's Archive

Show Us Your Space: Acouphonic Amp and Pedal Workshop in Vouvray, France

Hendrix, Page, and Standing Out in a Crowded Effects Market: A Conversation with Roger Mayer

Interview: Lindstrøm on Finding the Balance Between Gear Experimentation and a Practical Live Setup

Video: Ricky Skaggs on the Legacy of Bill Monroe, the Bluegrass Brute

Interview: Trevor Horn on Recording Seal, Embracing New Tech, and Finding "the Money" in the Studio

Illustrated and Explained: Jenn Wasner of Wye Oak on Her Pedalboard Priorities

Les Paul Reflects on Career of Innovation In Previously Unpublished Interview | Bacon's Archive

The Church's Ian Haug Talks Powderfinger, 12-Strings, and Playing Hendrix's Strat

Ben Hillier on Producing Blur, Mixing U2, and Priming Drums for Records

Bully's Alicia Bognanno on Tape Machines, Room Mics, and Returning to Electrical Audio