Reverb's Favorite Articles and Videos of 2018

Interview: Arthur Baker on "Planet Rock," Disco Remixes, and Unreleased Sessions

Echo & The Bunnymen's First "Echo" Was This Drum Machine

The True Story of the Vox UL730: the Amp Behind Sgt. Pepper's

A Guitarist's Guide to Choosing a Bass

Why Vinyl Matters: Nick Hornby on Records, High Fidelity, and His Personal Top 5

Interview: Thin Lizzy's Phil Lynott on "What Makes a Renegade Tick" | Bacon's Archive

EMS and the VCS-3: The First Portable Synthesizer

6 Classic Amps Every Bassist Should Know Part II

A Brief History of the Keytar

Selmer: The London Music Shop Where Clapton, Page, Beck, and More Bought Their Guitars

The Making of Sex Pistols' "Never Mind the Bollocks" | Bacon's Archive

Musical Implications of Being a Left-Hander

Jaco Pastorius Shares How He Learned Bass and Composition in Unpublished Interview | Bacon's Archive

"You Just Do It": Talking Heads' Tina Weymouth on the Secret of Great Basslines | Bacon's Archive

How Thomas Dolby Produced Prefab Sprout's Steve McQueen

How the Modern Remix Came to Be

Lessons Learned from "School of Rock"

The Magic of the EB-0—Gibson's First Solid-Body Bass

Recording Abbey Road: The Beatles' First (and Last) Album of the Modern Era

Recording "Rain" Backwards: The Beatles at the Edge of Psychedelia

The Story Behind George Harrison's Rosewood Telecaster

A Look at 4 Personal Studios of Industry Hitmakers

Interview: Jonathan Wilson on Producing Father John Misty, Conor Oberst, and Himself