Original owner! Used, but kept in exceptional condition in a rack. Purchased from Mercenary Audio in early 2000s. This unit is in original configuration with no additional modifications. This is a compressor that is actually exciting to use. Comes with original manual with detailed settings and techniques. A must have addition to any home or pro studio.

Specifications

• Frequency Response – 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion modes (Dist 2, Dist 3).
• Dynamic Range – 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in Distort 3 mode.
• Distortion – ranges between .02% and 20% depending on distortion mode and release times set on front panel.
• I/O – DC Coupled input and outputs.
• Time Constants – Attack range 50uS – 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 Opto mode. Time constants are dependent on ratio.
• Power Consumption – 15 Watts Max.
• Metal Chassis – single height 1.75″ high, 10″ deep, 19″ wide.
• Shipping info – 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5″ x 18.5″ x 3 1/4″. Stereo Pair box dimensions 22.5″ x 18.5″ x 6 1/4

Unique Compression Curves

All eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting – a brick wall limiting curve that shines on live drum room mics. Each curve has its own personality and several actually use different circuitry and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.

Distortion (Color) Modes

Another large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors & limiters and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path – are also available to help with low frequencies that can cause pumping and breathing.