This bundle pairs the brain and the muscle of a working sound system: the Yamaha DM3S ultra-compact 22-channel digital mixing console and two DXR15 mk3 15-inch powered loudspeakers, the loudest and lowest-reaching model in Yamaha's DXR mk3 line. It is built for the mobile DJ who needs real bass for the dance floor, the band mixing its own front-of-house, the house of worship running multi-source services, and the small venue or AV operator that wants a console with studio-grade preamps feeding mains that fill the room on their own. Plug your mics, instruments, and playback into the DM3S, send its stereo output to the two DXR15 mk3 cabinets on poles, and you have a full-range PA with 134 dB of headroom and 46 Hz of low-frequency reach — sourced, wired, and dialed in from one purchase.
The DM3S Console: 22 Channels, 9-Inch Touchscreen, and Studio-Grade PreampsThe DM3S squeezes a genuinely professional mixing surface into a 12.6-inch-wide chassis. Sixteen Yamaha mic preamps with -126 dBu equivalent input noise give you clean gain whether you are tracking a condenser vocal mic or a dynamic broadcast mic, and the 9-inch multi-touch screen with GainFinder makes setting levels visual and fast. Nine motorized 100mm faders deliver real physical control that follows scene recalls, while 1-knob COMP and 1-knob EQ collapse pro dynamics and tone shaping into a single control per channel — the feature live engineers cite when training assistants. With 6 mix buses, 2 matrices, FX, and a cue bus, the DM3S handles monitor sends and front-of-house from the same compact surface.
Why Two DXR15 mk3 Cabinets Anchor This SystemThe DM3S is only as good as what amplifies it, and the DXR15 mk3 is the DXR mk3 line's heavyweight: a 15-inch woofer with a 3-inch voice coil and a 1.75-inch compression driver, powered by a 2000-watt Class-D amplifier that splits 1700 watts to the low driver and 300 to the horn. That combination delivers 134 dB peak SPL with frequency extension down to 46 Hz — the deepest bottom end in the series, built for DJ bass drops and bass-heavy live sound without dragging a separate subwoofer to every gig. Advanced FIR-X Tuning sets the crossover at 1.8 kHz with linear-phase FIR filters, time-aligning each woofer and horn so the mix images cleanly, and Drive Motion Calibration corrects cone movement in real time to keep the low end tight even when pushed.
Five DSP Voicings and AUTO V/H Position on Every CabinetEach DXR15 mk3 carries five application-tuned DSP presets developed with Yamaha's group company NEXO — FOH/MAIN, MONITOR, DJ, Live Music, and Speech — so a single pair of cabinets covers a DJ set, a live band, or a spoken-word event with the right voicing instead of a generic one. MONITOR mode tames the bass buildup that happens when a cabinet sits on the floor, so either speaker doubles as a 52-degree stage wedge. AUTO V/H Position uses an internal accelerometer to detect whether a cabinet is upright on a pole or laid back as a monitor and selects the correct mode automatically — no menu diving on a dark stage. An intelligent feedback suppressor runs DYNAMIC mode for handheld mics and FIXED mode for lecterns to kill the squeal before it starts.
How the Console and Speakers Work Together as One SystemThe signal path is clean and obvious: sources go into the DM3S's 12 XLR and 4 XLR/TRS combo inputs, get mixed and processed on the 9-inch surface, and the console's stereo XLR output feeds the two DXR15 mk3 cabinets. The speakers' XLR THRU and DSP-out jacks let you daisy-chain or add a subwoofer later, and Bluetooth 5.0 on each cabinet plays walk-in music between sets without touching the console. From the audience side, the D-Remote app tunes level, delay, EQ, and crossover on both speakers from a phone — walk the room, hear the mix, adjust on the spot. The DM3S also doubles as an 18-in/18-out USB interface, so the same rig that runs the live show records every channel to a laptop or streams straight into OBS.
Who This Bundle Is ForThis is the rig for the mobile DJ stepping up from a controller-and-speaker setup to a real mixing console with bass that lands, the band that wants to run its own front-of-house and monitors from one compact surface, and the house of worship or school that needs clean multi-source mixing into mains that fill the room. The first-timer gets a complete, sourced-and-wired PA in one order. The upgrader gets studio-grade preamps and 134 dB cabinets to replace tired gear. The spec shopper gets a 22-channel digital console, 18-channel USB recording, and two 2000-watt 15-inch speakers that read like a list far more expensive than buying piecemeal. Plug in, mix, and fill the room.
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