The Vintage Ultra is our tribute to some of the most legendary sounds in rock history. It provides warm tube-like tones with a natural dynamic response that echoes the organic compression of old tube amps and reel-to-reel tape machines.

• Four band equalizer with six selectable mid frequencies
• XLR output with switchable cab sim
• Headphone output with IR cab sim
• Dedicated footswitch to engage the overdrive section independently
• Master volume to control the overall unit level
• Attack and Grunt toggle switches to control the high and low frequency saturation
• Aux In jack to practice with backing tracks

• CABSIMS

  Analog Cabinet
  Black and White 410
  Cali 212
  Cali 410 NEO
  Cali Combo 212
  Dave 410
  DG112N
  DG212N
  DG410N
  DG412ES
  DG810ES
  Fashionista 412
  Forrester 810
  Fruity 115
  Fruity 212
  Fruity 410
  Fruity 810

  Garden118
  Garden 410
  London 412
  London 412 Vintage
  Modern 212
  Modern 412
  Modern 115 Powerplant
  Modern 210 Powerplant
  Modern 410 Powerplant
  Modern 810 Powerplant
  Mountainino 610
  Nolly 810
  Panzer 412

  Peggy 115
  Peggy 210
  Peggy 410
  Peggy 810
  Peggy 810 Vintage
  Snakeskin
  Stockman 212
  Stockman 410
  Stockman 810
  Swirl 115
  Swirl 410
  Swirl 810
  Toppe

  Front Features
  • Master

    Whereas the Level Knob controls the output of the overdrive section the Master volume adjusts the overall volume of the unit. Ideal for fine tuning the output on clean mode. It also serves as a DI level control.

  • Blend

    Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.

  • Level

    Sets the volume of the overdriven signal.

  • Drive

    Sets the amount of saturation in the overdriven signal.

  • Attack Switch

    Sets the amount of treble content to saturate: The “Boost” setting emphasizes the treble content extra clarity and presence. The “Flat” position leaves this register untouched while the “Cut” position will reduce the amount of high frequencies being saturated.

  • Grunt Switch

    Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.

  • Bass

    +-12dB @ 100Hz

  • Lo Mids

    +-12dB switchable 250Hz, 500Hz and 1kHz

  • Hi Mids

    +-12dB switchable 750Hz, 1.5KHz and 3kHz

  • Treble

    +-12dB @ 5kHz

    Inputs and Outputs
    • Input

      Connect your instrument or output from your pedal board to the ¼” mono jack.

    • Aux In

      This 3.5mm stereo input allows you to practice with backing tracks from e.g. your smartphone or laptop. Auxiliary input can only be used with the headphone output.
      
      The pedal does not control the level, it must be set from your audio source. Remember to always first set the level low before connecting anything to the aux in!

    • Headphone Output

      B7K Ultra has an internal stereo headphone amplifier capable of driving a minimum load of 16 ohms from the 3.5mm stereo jack. Use the Master volume control to adjust the level.

    • 9V DC

      Only use a regulated 9V DC adapter with a center-negative plug

    • Output

      Connect from the ¼” Output jack to the input of your amplifier or another effects pedal.

    • Direct Output

      Balanced XLR output for connecting the pedal to a microphone preamp, PA system etc.

    • Ground Lift

      Disconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.

    • Cab Sim

      Toggle the cabinet simulation on/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.

    • USB

      A Micro USB B connector allows you to connect the pedal to PC/Mac to load cabinet simulation impulse responses to the pedal and control various other settings.