The Seymour Duncan Antiquity II delivers warm, articulate vintage tone with the clarity and definition that modern jazz bassists demand. Hand-crafted in the USA Custom Shop, this pickup set captures the character of late 1960s jazz bass electronics while maintaining the consistency and reliability expected from contemporary instruments. These are purpose-built for players seeking authentic vintage response without compromise.
Tone & Magnetic PropertiesBoth bridge and neck pickups feature hand-ground calibrated Alnico 5 rod magnets rated at 1050 Gauss, delivering balanced output across the frequency spectrum with pronounced midrange clarity. The matched 8.80K ohms (bridge) and 8.24K ohms (neck) DC resistance ensures smooth blending between positions and responsive dynamic articulation suited to traditional jazz and contemporary styles alike.
Construction & WindingEach pickup is lacquered and wax potted to eliminate microphonic feedback and ensure long-term stability. Cloth pushback hookup wire and late 60s era gray flatwork complete the vintage specification, while hand-wound construction in the USA guarantees attention to detail at every stage of assembly.
Key Features- Hand-wound in the USA Custom Shop
- Hand-ground calibrated Alnico 5 rod magnets
- Bridge pickup: 8.80K ohms DC resistance
- Neck pickup: 8.24K ohms DC resistance
- Both pickups: 1050 Gauss magnetic strength
- Single-coil bridge and neck configuration
- Late 1960s era gray flatwork design
- Cloth pushback hookup wire
- Lacquered and wax potted construction
- Vintage-correct specifications for authentic tone
This Antiquity II set represents the pinnacle of vintage-voiced jazz bass pickup design, combining meticulous hand craftsmanship with the tonal characteristics that defined the golden age of electric jazz.
| Condition | Brand New (New) Brand New items are sold by an authorized dealer or original builder and include all original packaging.Learn more |
|---|---|
| Brand | |
| Model |
|
| Categories |
Product safety information may be available here.


