Interviews

Video: U2's Guitar Tech Dallas Schoo on the Band's Songwriting Process

Video: Joanne Shaw Taylor on SRV, Pedals, and the Guitar She Got From Joe Bonamassa

Australian Gear Demoer Brett Kingman Talks Getting Started on YouTube and His Recording Rig

Laura Veirs on Balancing Musicianship with Parenthood and the Power of Structured Songwriting

Interview: Fender Visionary Dan Smith on How to Turn Around a Faltering Guitar Brand | Bacon's Archive

Bowie Producer Ken Scott Isn't Interested in Your Plugin Dependency

Interview: Purplene's Matt Blackman on the Return of Sydney's Indie Trailblazers

Shop Spotlight: GLIDE Guitars in Onagawa, Japan

Interview: How Recording "Loner" Taught Caroline Rose to Be Funny Without Being a Joke

Shop Spotlight: 3DWaves and Their 3D-printed Synth Stands

Interview: Ben Harper on Recording "No Mercy In This Land" with Charlie Musselwhite

"What the Hell Happened?"—Keith Richards Reflects on the '60s

Interview: Japanese Breakfast on Ditching Full-Band Jams for Dream Pop Songwriting

Former Gibson Chief Ted McCarty on Tonewoods and the Problems of 'Top-Heavy' Management | Bacon's Archive

Interview: How Tamara Lindeman Brought Dylan and Distorted Spontaneity to "The Weather Station"

Doom Wood Guitars: Building Boutique Instruments for Bandung, Indonesia's DIY Scene

Interview: Tiny Moving Parts' Dylan Mattheisen Talks Alternate Tunings, Tapping, and His Beloved Thinline Teles

Nicolas Godin from AIR on the Gear Used in “Moon Safari”

Black Asteroid on Lessons From Prince and Visually Inspired Songwriting

Superchunk's Laura Ballance on Merge, Bass, and Recording the New Record in the Face of Mounting Hearing Loss

How Pro Session Guitarists Can Thrive in Home Studios

Raave Tapes on Their Pedal Obsessions and Newcastle's No-Fi Arts Movement

Henry Rollins on Why Vinyl Matters: "Every record I own is a must-have. I wouldn’t have them otherwise."

Interview: Bruce Swedien Shares the Techniques He Used to Capture Michael Jackson's Voice