"What we have here is a failure to communicate"

While it is true that RF is especially effective at professional noise making, it remains relatively safe for amateur producers.

Controls interfere with demodulation accuracy resulting in familiar yet unexpected signal degradation and noise.

Uses and features:

• FET pre-amp
• CV on TUNE
• RFI/EMI approximator
• FM/AM radio quality reducer
• volatile and unpredictable distortion
• noise, pop, crackle and squeal generator
• impress your friends

Decoherence at its finest.

CONTROLS
TUNE
Like turning the dial on your receiver, the TUNE parameter sweeps through a
wide variety of sounds. From subtle artifacts, to extreme textures, noise
and distortion. Summmed with CV at T input.
SHIFT
Shifts the accuracy of tracking the incoming modulated signal. Sometimes
acts as a filter. Highly dependent on TUNE.
DRIVE
Controls the input level, from clean to dirty. Pushing the DRIVE control
generates extreme non-linearities from the modulator/demodulator circuit.
Affects both the wet and dry signals.
WET
Amount of wet signal at the output.
DRY
Amount of dry signal at the output.
R
Preset range of the TUNE parameter:
1 - normal
2 - extended
F
Apply voice filter ~(300Hz-3kHz) to wet signal:
0 - filter off
1 - filter on
CONNECTIONS
IN
1/4" Instrument input
OUT
1/4" Output
T
1/8" CV input for TUNE
9V
2.1mm 9VDC centre-negative tip, >30 mA

NOTES ON INTERACTIVITY
• The TUNE, SHIFT, DRIVE and RANGE controls are highly interactive.
• The higher the DRIVE, the more artifacts will be generated.
• TUNE is probably the widest, most non-linear, finest control ever included
in our products. Micro adjustments here will drastically change the result
of the demodulation.
• TUNE and SHIFT are mutually dependant, almost like they are the same
control. By tweaking both, it almost seems like there is endless varieties
of sounds.
• The RANGE switch shifts the whole palette of possibilities.
• Wet signal path is intentionally out of phase allowing for special
interactivity between WET, DRY and FILTER.
• If the original signal is still present on the wet side, adding dry signal
will cancel it out leaving only the distortion artifacts.
• If voice filter is activated in these same conditions, the result is a
kind of mid-scoop instead of the usual bandpass.
FEATURES AND USES
•JFET pre-amp
•CV on TUNE
•RFI/EMI approximator
•FM/AM radio quality reducer
•volatile and unpredictable distortion
•noise, pop, crackle and squeal generator
•impress your friends

NOTES ON POWERING
Roger That! was designed to operate using your typical centre negative,
regulated 9 VDC power supply. The pedal is protected against reversed
polarity conditions.
Always check your power supply for proper voltage and polarity before
connecting. There is no battery connection inside the pedal