The Reinvention of a Working Horn Player: Trumpet Whiz Walter White

Player Profile: “The Octopus” Tal Farlow

Interview: Heba Kadry on Mastering as a Creative Act

Tim K on the Essential Skill Sets of a Media Composer | Making Music for Films & TV

Basic Music Software Terms Explained

Show Us Your Space: Power Station New England

Video: Mac DeMarco on the Origins and Evolution of His Warbly Tone

Show Us Your Space: The Gear of Paul McCartney's "McCartney III"

Show Us Your Space: Powerplay Studios in Maur, Switzerland

The Low-End Legacy of D'Angelo's "Voodoo"

Interview: Ian Pooley on Vintage Synths, Samplers, and His Beloved MPC

Inside the DIY Studios of Australia's Psych Scene

Soul's Unsung Guitarist: Steve Cropper Reflects on the Stax Years

Show Us Your Space: Last Hope Studio in New Orleans

Show Us Your Space: Full English Post in Brooklyn

Interview: Jonathan Wilson on Producing Father John Misty, Conor Oberst, and Himself

Illustrated and Explained: Jenn Wasner of Wye Oak on Her Pedalboard Priorities

Tal Wilkenfeld Talks Allman Bros, Bass, and Her Jackson Browne-Made Baritone

Copyright Basics for Musicians and Songwriters: The Limits of Copyright

Fragments of Fantasy: An Interview With Rachika Nayar

Suzi Analogue on Electronic Roots and Afrofuturism | Sonic Futures

The P-Bass' Slow-Rolling Takeover of Pop's Low-End

Inside Jason Mraz's Beautywood Studios

"I Feel I Was First With It": Ray Butts on the Creation of the Humbucker | Bacon's Archive