In the Studio with the Soundelux USA U99

Building Sounds: An Interview with LEGO's Sound Designer, ill-esha

Moog's Missing Link: An Interview with Doug McKechnie

Great Lawsuit-Era Guitars That Aren't Les Paul or Strat Copies

'80s Polys That Found New Lives in the Used Market

Jonah Yano Talks "PORTRAIT OF A DOG" and Studio Spontaneity

In Defense of the Line 6 POD

Mixing NYC's Underground With Scott "Scotty Hard" Harding | Engineering Hip-Hop

The Making of Sex Pistols' "Never Mind the Bollocks" | Bacon's Archive

Les Paul Reflects on Career of Innovation In Previously Unpublished Interview | Bacon's Archive

A Guitarist's Guide to Choosing a Bass

A Brief History of Vox: The Sound of the British Invasion

The Synths of '70s Sci-Fi Soundtracks

"Schoolhouse Rock!" Composer Bob Dorough Dead at 94: Hear 7 of his Greatest (and Strangest) Songs

Cherushii's Gear in Her Own Words: Remembering the Late Electronic Music Producer

Roland Modules: The Best Value in Vintage Synthesis?

FM Synthesis: Is the Frustration Justified?

Brandy Zdan on Writing, Engineering & Producing "Falcon"

Sonic Trademarks: Quirky Sounds That Make the Song, From The Supremes to Billie Eilish

Reverb Interview: Shearwater’s Jonathan Meiburg

The Strange History of Casio’s '80s Pro Line

Gear Community & Reverb Sellers Raise Funds to Fight Fires in Australia

Reverb Interview: Exodus’ Lee Altus

Interview: Purplene's Matt Blackman on the Return of Sydney's Indie Trailblazers