• Purple Limited Edition
• Glitch Delay/Reverb Crushing Modulation Device
• Collaboration with Emily Hopkins
• Stereo in/out (mono or mono-in-stereo-out also possible)
• Central Dissolve control: sample rate reduction to degraded reverse sound
• Modulation section + glitchy delay that can transition to Reverb
• Analog dry-through
• Onboard presets + preset control via MIDI
• Expression and MIDI control for all parameters
• MIDI Clock I/O for tempo synchronisation
• Connection for aux footswitch (tap tempo / half Speed / Preset switching)
• Switchable: Buffered Trails or True Bypass
• Top-mounted jacks & soft-touch switching
• Handmade in Oklahoma, USA
• Power supply: 9 V DC power supply (optional, Centre -, 2.1 mm, ~350 mA / not included)

With the Old Blood Noise Endeavors Parting, OBNE, in collaboration with harpist Emily Hopkins, is launching a creative effects pedal that combines glitch delay, reverb, modulation and signal crushing to create an independent sound design tool. At its heart is a central control which, depending on the setting, either reduces the sample rate of the signal or transforms it into an increasingly degraded reverse signal. The whole thing is complemented by a selectable modulation and a glitchy delay that reacts either via random processes or via envelope and can be smeared into reverberant ambient surfaces. Thanks to stereo I/O, presets, expression and MIDI control as well as MIDI clock sync, Parting is aimed at anyone who is consciously looking for experimental textures ranging from broken LoFi repetitions to randomly decaying reverb atmospheres!