Artist

Interview: Purplene's Matt Blackman on the Return of Sydney's Indie Trailblazers

Interview: How Recording "Loner" Taught Caroline Rose to Be Funny Without Being a Joke

Linkin Park Fans: A Rare Opportunity to Own a Piece of the Band's Gear History Is Coming This Week

Interview: Ben Harper on Recording "No Mercy In This Land" with Charlie Musselwhite

Video: Valerie June Performs Unreleased Song "Love Me Any Old Way" | Reverb Session

Learn to Play: Tommy Emmanuel Teaches Variations in "Freight Train" by Elizabeth Cotten

Interview: Japanese Breakfast on Ditching Full-Band Jams for Dream Pop Songwriting

Learn to Play: Tommy Emmanuel Teaches 4 Steps for Fingerstyle, Performs "Rachel's Lullaby"

Interview: How Tamara Lindeman Brought Dylan and Distorted Spontaneity to "The Weather Station"

Video: Haz Mat Live's Massive Detroit Techno Setup

Interview: Tiny Moving Parts' Dylan Mattheisen Talks Alternate Tunings, Tapping, and His Beloved Thinline Teles

Nicolas Godin from AIR on the Gear Used in “Moon Safari”

Video: Booker T. and the Secrets Behind His Hammond B-3 Tones

Black Asteroid on Lessons From Prince and Visually Inspired Songwriting

Superchunk's Laura Ballance on Merge, Bass, and Recording the New Record in the Face of Mounting Hearing Loss

The Process, Episode 1: Kimbra's Sampling and Synthesis Magic

Raave Tapes on Their Pedal Obsessions and Newcastle's No-Fi Arts Movement

Interview: Neyla Pekarek, Cellist of The Lumineers, Steps Out on Her Own with “Rattlesnake”

Interview: Mindi Abair on Finding Her Rock 'n' Roll Sound with Aerosmith, Springsteen, and the Boneshakers

Reverb Soundcheck: Circa Survive's Colin Frangicetto and Brendan Ekstrom Show Us Their Live Rigs

Julien Baker on the Recording of "Turn Out the Lights"

Video: Charlie Benante of Anthrax on the History of Thrash Drumming

Code Orange's Reba Meyers on the Hardcore Band's Work Ethic, Aggression, and Grammy Nod

Interview: Lydia Loveless' Evolving Alt-Country Sound