Interviews

Reverb Interview: The Doobie Brothers' Tom Johnston and Pat Simmons on Touring, Gear and Band Evolution

Song Stories: Greyhounds’s “Cuz I’m Here”

Song Stories: Tori Kelly’s “Unbreakable Smile”

Deer Tick’s Ian O’Neil on Songwriting, Old Gear and Nirvana’s Influence

Song Stories: Robby Krieger on the Origin of The Doors’ “Peace Frog” & “Light My Fire”

Gary Numan on Touring with Vintage and Modern Gear

Michael Fitzpatrick of Fitz and the Tantrums on Instruments and Inspiration

Thrice Guitarist Teppei Teranishi Discusses Recording the New Album and the Magic in Tiny Amps

Reverb Soundcheck: Inside Elliot Bergman of Wild Belle’s Home Recording Studio

Reverb Interview: RJD2 on Gear, Samples and Collaboration

Producer Michael Beinhorn Discusses Unlocking Creativity in the Studio

Song Stories: Aoife O'Donovan "Porch Light" Live with Collings 0 Series

Rogue Wave’s Pat Spurgeon on their DIY Aesthetic and the Gear that Inspires Him

Reverb Interview: Kiko Loureiro of Megadeth & Angra Talks Ibanez and Pre-Show Warmups

The Reinvention of a Working Horn Player: Trumpet Whiz Walter White

Pictures of Matchstick Strat: UK Builder Dean Fraser’s ‘54 Stratocaster Tribute

Song Stories: Dawes’s “All Your Favorite Bands”

Trumpeter Allen Branstetter on St. Paul and the Broken Bones' New Album and Working with Alabama Shakes

Song Stories: Nathaniel Rateliff & The Night Sweats’s “Wasting Time”

Reverb Interview: Joe Satriani on Composing and the Dangers of Being an Emotional Guitar Collector

Reverb Soundcheck: Jimmie Vaughan

Producer Warren Huart on Working with Ace Frehley, Aerosmith, Slash, John 5 and Lita Ford

Reverb Soundcheck: Tommy Emmanuel

What Was it Like Playing Keyboards for Yes? A Conversation with Tom Brislin