TL Audio 5051 Ivory 2 Series Mono Valve Processor

Photos shown are of the product on hand

Serial Number: 558628

Requires a standard modular AEC power cable

Unleash the full potential of your recordings with the TL Audio Ivory 2 Series 5051, a versatile signal processor designed to elevate any studio setup. This mono tube channel strip combines the warmth of six tube stages with the precision of modern engineering, making it a must-have for discerning audio enthusiasts. Whether you're capturing the soulful nuances of a vocal performance or the punchy rhythm of a bass line, the 5051 excels in providing rich and full-bodied sound.

At its heart, the 5051 boasts a flexible preamplifier stage, complete with input gain, phantom power, a 90Hz filter, and a 30dB pad to perfectly tailor your input source. The four-band equalizer, inspired by TL Audio's iconic EQ-1, can be placed pre- or post-compression, allowing for customizable tonal shaping. Speaking of compression, the 5051 inherits the robust compression section from the TL Audio 5021, featuring hard and soft-knee options, switchable attack and release times, and an optical gate with a variable threshold. This ensures every detail of your sound is captured with clarity and depth.

The 5051 also offers practical connectivity options, including balanced XLR and unbalanced jack connectors, along with a link switch for stereo operation when paired with a second unit. Its switchable VU meter provides real-time feedback on input level, output level, and gain reduction, keeping you in control of your sound dynamics.

• New Preamp stage provides Input Gain, 48V, 90Hz filter and 30dB pad
• Compressor section with control of: Threshold, Ratio, Gain Make-Up and Output Gain
• New Hard/soft knee compression modes
• Four switchable Attack times from Fast (0.5mS) through to Slow (40mS)
• Four switchable Release times from Fast (40mS) through to Slow (4S)
• New Optical gate with variable control of Threshold (from -10dB to off)
• Switchable VU metering of input level, output level or gain reduction
• Drive and Peak LEDs to indicate internal signal level
• Front panel instrument input (for guitar, keyboard, etc.)
• Balanced XLR mic input
• LF EQ band gives ± 12dB shelving at 60Hz, 120Hz, 250Hz or 500Hz (12dB/octave)
• LM EQ band gives ±12dB peaking at 250Hz, 500Hz, 1kHz or 2.2kHz (Q=0.5)
• HM EQ band gives ±12dB peaking at 1.5kHz, 2.2kHz, 3.6kHz or 5kHz (Q=0.5)
• HF EQ band gives ±12dB shelving at 2.2kHz, 5kHz, 8kHz or 12kHz (12dB/octave)
• EQ Pre switch allows the EQ section to be placed ahead of the compressor section
• Link switch allows two 5051s to be connected for stereo operation
• Balanced XLR line input/output duplicated on unbalanced jack connectors
• Sidechain insert point
• New Optional 24 bit digital output

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Southside Guitars Brisbane
16 Chrome Street
Salisbury, QLD 4107
Australia